Saturday, 12 February 2022

Tweddell's Poems on Poets and Poetry

In 2009, Paul Tweddell and I (Trev Teasdel) embarked on a project to collate, for the first time in history, all
of the poetry by Stokesley born, 19thC poet, author, Chartist, printer publisher and people's historian - George Markham Tweddell, whose poetry had been widely published in his day in numerous international newspapers, journals and other publications. Apart from his collection of 100 masonic poems, he'd never had a full collections or proper appraisal of his poetic works.

The full collection, showing him to have been much more prolific throughout his 80 years on the planet than anyone previously thought, included many from his manuscript books unpublished in his time and much more diverse in both subject matter and form. The manuscript books indicated to us that Tweddell was attempting, in later life, to collate his published and unpublished poems into collections around a number of themes - eg Sonnets of Flowers and Trees. This is reflected on the Tweddell poetry hub, with blogspots like this housing special collections of Tweddell's poems on various themes. Click here to view the Tweddell Poetry Hub to gain access to all the various collections http://tweddellpoetryhub.blogspot.co.uk/

Tweddell had mentioned making a collection called Sonnets on Poets or similar title. There are quite a few on poets and poetry - hence this collection and he was part of a network of northern based radical poets that included Ebenezer Elliot (The Poor Law Rhymer), James Montgomery and more.

Having just created this particular blogspot, you'll have to return later to see the interesting content we hope to upload here.

Thanks for viewing.

SONNET TO BURNS.

We owe this poem poem to Dr Clark McGinn, Centre for Robert Burns Studies, University of Glasgow who says "I am working on a study of poems about Robert Burns and found this by GMT (which I couldn't find in the indices to three volumes) "

SONNET TO BURNS.
George F Pardon (ed.), The Quarterly Magazine of the Independent Order of Odd-Fellows, Manchester Unity, Volume I, 1858), p.448.

BURNS! from my childhood I have loved thy lays,
And they have taught me bravely to endure
All human ills. Thy muse doth make more pure
The heart that loves her: as in the darkest days,
For suffering Freedom, thou didst touch the chords
Of manly feeling in each British heart,
Till all the worthy wished to bear a part
In their dear land’s redemption. Holy words
Of comfort for humanity did fall
From thy sweet lyre: tyrant and bigot quail’d
Before thee, whilst all wise and good men hail’d
Thee as a God sent poet. Cottage and hall
Have heard thy hymnings; and the trump of fame
O’er all the world proclaims old Scotia’s ploughboy’s name.

George Markham Tweddle. (Tweddell)



Cleveland Lodge, No 789.


Monday, 3 June 2013

Frank Wilkinson

Frank Wilkinson.

“He wooed the Muses on thy banks, fair Tees!
And oft, in distant Burmah, sigh’d once more
Bardlike to loiter in the pleasant fields
And flower-strewn footpaths of his native land:
And when he sang by Sitong’s eastern stream, 5
His songs breathed love for home, and Hurworth Rose
In his ‘mind’s eye,’ with all its quiet homes
And dear familiar faces, till he wept,
And felt himself a child again.”

 George Markham Tweddell
‘Peter Proletarius’
[Bards and Authors, p. 350]
92

This poem introduced the chapter on Frank Wilkinson in Tweddell's Bards and Authors of Cleveland and South Durham 1872.

Extract from
" Frank Wilkinson was born at Hurworth on Tees, June 7th 1826, at which place his father was master of a National School for thirty two years.. At an early age, Frank entered the post-office at Darlington, as an assistant clerk, and afterwards, became an apprentice to Mr Robeert Dixon, a chemist and druggist in that town. On the death of his Edward Wilkinson, 1843, the rector and principle inhabitants of Hurworth wished his son to Frank to succeed him as school master of Hurworth, though only 17 years old ! And after receiving training for that purpose at Durham, he was appointed school master of Hurworth. He remained at until the early part of 1849, when he resigned the school and went to London ; but like Dick Whittington in the story books, he did not find the streets of the great metropolis paved with gold; and failing to meet with a situation to suit him there, he entered the service of the East India Company....returning in 1859 "

You can read more about him and some of his poetry in Tweddell's Bards and Authors of Cleveland and South Durham 1872 - here
free download of the book  http://georgemarkhamtweddell.blogspot.co.uk/2012/12/bards-and-authors-of-cleveland-and.html

Saturday, 1 June 2013

William Martin

William Martin.

“I stood beside a newly-open’d grave,
And gazed upon a coffin placed therein,
When straight before mine eyes a vision pass’d
Changing like human life. At first a youth
Full of high thoughts of heaven-born Poêsy, 5
Row’d me along the Leven in his boat;
And, as we floated on the crystal stream,
We held discourse of bards long pass’d away,
Whose songs will not die till ‘the crack of doom.’
It vanished and another pass’d met my view. 10
It was a populous city, and I met
My friend still wooing Poêsy,
And full of high philanthropy. Anon
We met in lodge Masonic, as brethren of
The ‘mystic tie,’ loving the dear old craft, 15
Which none that understand it can despise

Returning to my native vale again,
We met as wont: but health had left his cheeks,
Disease had seized upon his noble frame,
With lion-grip, that could not be removed, 20
Save by Death’s icy hand. The coffin now
Hid from my eyes all that with us remain’d
Of my dear friend. From laurel growing by
I pluck’d a branch, and dropped it in his grave,
Nor could forbear my tears. Let all his faults 25
Be buried with his bones, for they were few
And venial; let his virtues ever live,
Treasured in his friends’ memories, for they were manifold.”

Peter Proletarius’ (George Markham Tweddell)
[Bards & Authors, p. 171]



This poem was also an introduction to a chapter on William Martin in Tweddell's Bards and Authors of Cleveland and South Durham 1872.


The original book can be downloaded free on the Tweddell hub on this post - http://georgemarkhamtweddell.blogspot.co.uk/2012/12/bards-and-authors-of-cleveland-and.html


According to Tweddell in Bard's and Authors, "William Martin was born in Newcastle in 1825. In early youth he was adopted by his kind hearted maiden Aunt - Miss Martin, a member of the society of Friends at Great Ayton. William martin was inspired by the works of Burns. Tweddell first published him in his newspaper - Stokesley News in 1844, and though he never published a volume, he continued to write occasional pieces for the press up until his death. He wrote a poem called Be Kind to the Poor for Tweddell's proposed collection of poems to raise funds for the Bury Ragged School of which Tweddell was Master but which never got published.Tweddell published his poem in Bards and authors. He became the manager of his Aunt's leather warehouse in Oldham Street, Manchester. He was one of the founders and past master of the Cleveland Lodge of free and accepted Masons and provincial grand sword-bearer of the North. He died in 1863 and buried in the Friends Burial Ground in Great Ayton. his funeral was attended by a great number of acquaintances for miles around - especially by his brothers 'of the mystic tie'.

He returned to Great Ayton in 1860 and took over the Cleveland Tanneries which his family had carried on for many years." George Markham Tweddell

Wednesday, 29 May 2013

Sweet Gale, or Bog Myrtle (Myrica Gale)

Sweet Gale, or Bog Myrtle (Myrica Gale).
(William James Linton was a radical engraver, artist, poet)

I.
Linton, our artist poet, tells a tale,
How “the sweet South Wind underground was frozen,
And only growth to save her could avail:”
So “she grew up a plant; the plant so chosen
We call in our North Country the Sweet Gale.” 5
It is a pleasant plant, which I have seen
Adorn our moors; in many a rural dale
I too have found it; and it long has been
Prized by the people, who loved to give their ale
A flavour from the herb ere hops were known: 10
Its leaves hung in the houses, did not fail
To yield them their sweet fragrance; most did own
Its powers medicinial; and its wax did form
Fine scented tapers ‘gainst dark Winter’s storm.
II.
And can we learn no lesson from this plant,
To guide us in our passage through the world?
Have we no offering from human want?
No pleasant perfumes from our lives unfurl’d?
If the Sweet Gale can e’en the bog adorn 5
With beauty and with fragrance, cannot we
Bring gifts to ev’ry child of woman born,
And help to gladden poor humanity?
We too can throw abroad some useful light,
Dispelling mental darkness around; 10
Can help to put fell Ignorance to flight;
And aid in binding up each bleeding wound,
Mental or physical, our fellows feel,
And cherish Virtue for our own and other’s weal.

George Markham Tweddell
[Sonnets on Trees and Flowers, pp. 7-8.] Also published in Leeds
Mercury Weekly Supplement, May 3, 1884. Voice of Masonry, May,
1884. Northern Weekly Gazette, April 24, 1897.

William James Linton
(December 7, 1812 – December 29, 1897) was an English-born American wood engraver, landscape painter,political reformer and author of memoirs, novels, poetry and non-fiction. More here http://en.wikipedia.org/wiki/William_James_Linton

Linton was prominent in the Chartist and Republican movements, and was very involved in the development of the utopian ideas based on the nobility of the worker that Morris and Ruskin later espoused. The English Republic, God and the People, a book published in 1851, seems to include his main political ideas. He was involved in the fights against Stamp Tax, and for parliamentary reform, and he edited the Chartist magazine, The Cause of the People. He was deeply immersed in the radical political culture of the times, a proto-Marxist. In America he edited magazines and a newspaper. More here http://www.bbc.co.uk/dna/place-london/plain/A515341

Here are some examples of Tweddell's use of some of WJ Linton's woodcuts - accompanying Poetry of an Old Besom - 


The Daisy (Bellis Perennis)

The Daisy (Bellis Perennis).

The “Day’s Eye” blooms in father Chaucer’s verse,
Through all the centuries; in an inspired hour,
Burns sang the “modest, crimson, tippêd flower”;
Sweetly and brief as old Wither did rehearse
How it does “shut when Titan goes to bed;” 5
Wordsworth with mighty power, has hymn’d its praise;
Montgomery i’ the choicest of his lays,
Tells “how it never dies!” Often it led
Our infant footsteps into rural lanes,
Or along by-paths rich with many a gem 10
Fallen from Flora’s glowing diadem,
Till health and happiness were e’er our gains.
Children are always poets: pity we
Should ever quench the sparks of poësy.

George Markham Tweddell
[Sonnets on Trees and Flowers, p. 18.] Also published in Voice of
Masonry, March, 1885. Northern Weekly Gazette, April 17/97.

Refers to various poets - Chaucer, James Montgomery, Burns, Wordsworth, George Wither

James Montgomery    (4 November 1771 – 30 April 1854) was a British editor, hymnwriter and poet. He
was particularly associated with humanitarian causes such as the campaigns to abolish slavery and to end the exploitation of child chimney sweeps.








George Wither (11 June 1588  – 2 May 1667 .) was an English Emblemist poet, pamphleteer, and satirist. He was a prolific writer who adopted a deliberate plainness of style; he was several times imprisoned. C. V. Wedgwood wrote "every so often in the barren acres of his verse is a stretch enlivened by real wit and observation, or fired with a sudden intensity of feeling".

Monday, 27 May 2013

To Castillo (John Castillo - The Bard of the Dales)

To Castillo  (John Castillo  - The Bard of the Dales)


Although our creeds might vary, Castillo,
And our amusements might not be the same,
(For thou wouldst look with horror on my love
Of the fine dramas with which Sophocles,
Euripides, and Terrence moved the souls 5
Of Greeks and Romans in the days of old;
And those of Marlow, Shakspere, and the rest
Of England’s noblest dramatists, would scorn
To dance around the Maypole with a maid
Fair as the lily and as spotless too; 10
Yet as thou loved my Cleveland’s hills and dales,
And had compassion for her people’s souls,
And strove to gain them from their wicked ways;
Though thou too oft might in confusion blend
Mere innocent enjoyments with their abuse; 15
I love thee, noble if mistaken soul!
And would much rather err with Puritans—
Earnest, thou much too solemn—than defile
My spirit in the brutalizing pools
Of sensual debasements. And I would fain 20
Pay thee such honour as thou merited,
Among our Cleveland poets, though thy rank
Be not the highest: thou hast gained the hearts
Of numbers whom no other bard has won;
And as the vocal songsters of the grove 25
Vary in compass and in melody,
Yet all are welcome to the naturalist,
So in our poesy: not Homer’s strains,
Not Dante’s visits to the nether realms,
Nor Milton soaring to eternal day, 30
Are for all readers. Humble lays like thine
Solace the lab’ring dalesman in his toil,
Help him to bear the numerous ills of life,
And teach his soul to look from earth to heaven.

George Markham Tweddell (writing as..
Peter Proletarius.’

Tweddell Published and edited one of the collections of John Castillo -
[Castillo’s Dialect Poems ed. Geo. M. Tweddell (1878)]

http://en.wikipedia.org/wiki/John_Castillo

Tweddell wrote about John Castillo in his Bards and Authors of Cleveland and South Durham 1872 which you can download from the Tweddell Hub here - http://georgemarkhamtweddell.blogspot.co.uk/2012/12/bards-and-authors-of-cleveland-and.html

And by WH Burnett in Old Cleveland - here http://georgemarkhamtweddell.blogspot.co.uk/2012/12/old-cleveland-local-writers-and-local.html

A classic work on John Castillo is John Castillo Quinlan, Father D [1968] 'John Castillo Bard of the Dales' {Whitby, Horne and Sons Ltd

This balladic poem by Castillo - to the tune of The Rose Tralee shows the depopulation of a village on the North Yorkshire moors as people emigrated via Whitby Harbour to America.


Reflections On Absent Friends, Gone To America
The sun had gone down o'er yon lofty mountain,
The last golden streamer had left the tall tree;
The dwelling below seemed forsaken and gloomy,
Its inmates were tossing upon the wide sea.
The rose tree was nodding the lasses had nourish'd,
Which oft had supplied them with Sunday's perfume;
The wall-flower in sorrowful modesty flourish'd,
And wept o'er the beautiful daisy in bloom!
In the track by the river the green grass is springing,
On whose flowery bank they were oft wont to stray;
No more the still grove with sweet echoes is ringing,
To the voice of the milk maid, or children at play.
The dog in the night time now howls discontented,
Of its master and mistress but lately bereft;
I listen'd and look'd to the place they frequented,
Of them not a sigh, nor a whisper is left.
How strong the emotions of friendship were glowing,
When towed by the steamer the ocean they braved;
Their force was evinced by the tears that were flowing,
As the hat, or the hand, or the handkerchief waved.
From the shores of old England we anxiously view'd them,
A cargo most precious, and dear to our sight;
Far o'er the blue surface affection pursued them,
Till the ship was conceal'd by the curtain of night.
They have left us,—their absence wakes mournful reflection,
As the fast sailing Arundel bears them away;
We can only consign them to heavenly protection,
To Him, whom the winds and the waters obey.
He who roves through the wood may quickly discover,
Their affection in tokens which there he will see;
Where with sorrowful heart each friend or each lover,
May sigh o'er their names in the bark of the tree.

John Castillo